- Foreword:
Photographic Amnesia - Australian
Photography Exhibitions (1848–2020) - Early Photography on Display (1848–59)
- The Melbourne
Intercolonial Exhibition (1866–67) - Queensland on Display (1872–79)
- Philadelphia Centennial Exposition (1876)
- Photographic Entertainments (1880–90s)
- Melbourne Centennial International Exhibition (1888–89)
- Amateur Photographic Associations and Pictorialist Photography Exhibitions (1884–1950s)
- Exhibitions of War Photographs (1919–21)
- The Studio as Exhibition Space
- Exhibiting the Modern World (1937–54)
- New Visions in Photography (1953–63)
- The Family of Man (1959)
- Photovision Documentary Exhibitions (1959–65)
- Expo ’67
- Photography as Art at the National Gallery of Victoria (1968–73)
- Photoconceptualism (1970s)
- Independent Photography Galleries (1970s)
- The Australian Centre for Photography (1974)
- Feminist Photography Exhibitions (1971–87)
- Wesley Stacey, The Road (1975)
- William Yang, Sydneyphiles (1977)
- Australian Photography History on Display (1952–2015)
- Art and Working Life (1976–86)
- Postmodernism, The Exhibition Reconstructed (1974–84)
- New Centres for Photography (1980s–)
- Exhibiting the Indigenous Revolution (1982–)
- Postmodernist Pieces (1980s)
- Photography is Dead? (1990s–2000s)
- The Performed Photograph (1992–)
- The Return of the Documentary (1997–)
- Digital Spaces (1986–)
- Photographer as Collector
- Analogue Materiality
- International Touring Shows
- Prizes and Festivals
- Photographs in Public Space